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Graphic Design History from Design Reviewed

Gabo, Museum Boymans and Stedelijk Museum, 1958

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  • Format: Exhibition Catalogue
  • Designer/s: Benno Wissing
  • Year: 1958
  • Client/Publisher: Museum Boymans and Stedelijk Museum
  • Size: 195mm x 247mm

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Gabo, Museum Boymans and Stedelijk Museum, 1958. Designed by Benno Wissing
Gabo, Museum Boymans and Stedelijk Museum, 1958. Designed by Benno Wissing
More graphic design artefacts
Graphis 122, 1965. Cover design by Victor Vasarely.
From the design archive:

Graphis 122, 1965

  • Format: Magazine
  • Designer/s: Victor Vasarely
  • Year: 1965
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Fodor 13, 1973 - Rolf Adel. Designed by Wim Crouwel and Dapne Duijvelshoff (Total Design).
From the design archive:

Fodor 13, 1973 – Rolf Adel

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelshoff (Total Design)
  • Year: 1973
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form 41 1968 Cover design- Karl Oskar Blase
From the design archive:

Form, Internationale Revue 41, Mar 1968

  • Format: Magazine
  • Designer/s: Karl Oskar Blase
  • Year: 1968
View Artefact
Avant Garde Volume 11, January 1970. Designed by Herb Lubalin
From the design archive:

Avant Garde Volume 11, March 1970

  • Format: Magazine
  • Designer/s: Herb Lubalin (Art Director)
  • Year: 1970
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Members Content

Bruno Schmidt Advertisement, 1962. Designed by Günter Heil. Scanned from Gebrauchsgraphik, 5, 1965
  • Design Archive Feature, Members Only Content

Advertising 16mm Film. The work of Günter Heil

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

Members Content

and-so-to-the-Needlework-Development-Scheme
  • Design Archive Feature, Members Only Content

And So…the Needlework Development Scheme

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.
Front and back pages of the cover of a catalogue designed for Brann of Zürich by Ch. Vohdin
  • Design Archive Feature

Advertising the German Store by Jan Tschichold illustrated with design by Brann, 1931

An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.
Radio Free Berlin, Concert poster designed by Hans Förtsch and Sigrid von Baumgarten C
  • Design Archive Feature

The Publicity of Radio Free Berlin, Text by Franz-Hermann Wills, 1966

The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun