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Special issue on Lettering and Script Writer
Handwriting and Graphic Design
Calligraphy
Graphic Design in American Literature
Why an Advertising Fair in Leipzig?
Arno Drescher, F. H. Ehmcke, Rudolf Koch, Carl Rabus, Walter Riemer, Jan Tschichold, Heinrich Wieynck, Peter Wolbrandt

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Gebrauchsgraphik, 01, 1925. Cover design by Hanns Thaddäus Hoyer
Gebrauchsgraphik, 01, 1925. Cover design by Hanns Thaddäus Hoyer
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.