Information

Content includes:
Preface: The 25th anniversary of the Gebrauchsgraphik
Eberhard Hölscher: Pioneers of German commercial art.
Rudolf Conrad: British Aluminium Company Ltd.
Eberhard Hölscher: Studio Igl, München. Industrial design and graphic art
Ludwig Ebenhöh: Waldemar Dinkat,
Bremen. Wrappings and prospectuses.
Eberhard Hölscher: Erwin Spuler, Karlsruhe. Illustrations and end-papers.
Anton Sailer: Decorative wall featuring
Plagiarism. Coin des plagiats
«Keyboard» and Youthline», types of the type foundry Stephenson Blake & Co., London

Details

Linked Information

Gebrauchsgraphik, 01, 1954
Gebrauchsgraphik, 01, 1954. Cover design by Toni Zepf

 

Gebrauchsgraphik, 01, 1954 - British Aluminium Company Ltd
Gebrauchsgraphik, 01, 1954 – British Aluminium Company Ltd

 

Gebrauchsgraphik, 01, 1954 - British Aluminium Company Ltd
Gebrauchsgraphik, 01, 1954 – British Aluminium Company Ltd
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.