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Contents include:
American University Education in Advertising and Marketing
Lucian Bernhard in New York
Atelier Bernhard-Rosen
The Tasteful Trade Fair Booth
Movies as a Means of Propaganda
Otto Arpke, Herbert Bayer, Lucian Bernhard, Julius Gipkens, Franz Paul Glass, Ludwig Hohlwein, Willy Knabe, Franz Peffer, Walter Riemer, Fritz Rosen, Martin Weinberg, Lucian Zabel

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Gebrauchsgraphik, 02, 1926. Cover design by Lucian Bernhard & Fritz Rosen
Gebrauchsgraphik, 02, 1926. Cover design by Lucian Bernhard & Fritz Rosen
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.