Gebrauchsgraphik, 02, 1933

Content includes: Blauer Dunst • Smoke Without Flame; Fritz Brill; Fritz Löwen; Willy Prager; Lucian Zabel
Featured designers include Fritz Brill, Arno Drescher, Max Hertwig, Sviatoslav Hordinsky, Irmgard Kallweit, Fritz Löwen, Dore Mönkemeyer-Corti, Léo Pasetti, Willi Petzold, Willy Prager, Edmund Schäfer, Hans Schleger (Zéro) and Lucian Zabel

Details

Heinz Schubel
Gebrauchsgraphik
A German design magazine published from 1924 onwards, devoted to commercial art and advertising design.

Linked Information

Gebrauchsgraphik, 02, 1933. Cover design by Heinz Schubel
Gebrauchsgraphik, 02, 1933. Cover design by Heinz Schubel
More graphic design artefacts
More graphic design history articles
Posters and Publicity by Ken Briggs and Ian McLaren

Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives

Posters and Publicity by Ken Briggs and Ian McLaren

Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

Read Article
The Typographic Work of Noel Martin

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories, Typography & Type Design

The Typographic Work of Noel Martin

A chance eBay find led me to a rare and extensive collection of work by midcentury American designer Noel Martin, including posters, museum ephemera, and print for major institutions like the Cincinnati Art Museum and Champion Papers.

Read Article
Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

Uncategorized

Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Read Article