Content includes:
Eberhard Hölscher: A new atlas of the world
Eberhard Hölscher: The publicity of the Volkswagen Works
Anton Sailer: Maskierte Lokale • Inns and halls in fanciful disguise
Restaurants décorés pour le «Fasching>
Ludwig Ebenhöh: Beatrice und Ferdi Afflerbach, Basel. Swiss commercial art
Eberhard Hölscher: Ein Verlag wirbt. A publishing house makes propaganda.
Results of a contest in window – dressing
Anton Sailer: Der Holzschneider Eugen Sporer, München The wood – engraver
H.J.Barschel: C. Bruce Unwin, USA. American commercial art
Alexandre Alexandre: Albert Dubout, Paris. A comic strip designer and illustrator
Eberhard Hölscher: The sufferings of the Berlin heraldic bear.
«Derby», a type of the type foundry H. Berthold A.-G., Berlin/Stuttgart
Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.
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Advertising Design, Design Archive Feature, Members Only Content
When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz
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Design Archive Feature, Members Only Content
German printer's plates from the early 1900s revealing how commercial graphic design shifted from Jugendstil ornament to modern identity design.
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