Content includes:
Eberhard Hölscher: Charm and Caprice. New cosmetic wrappings
H.J.Barschel: Thomas S. Ruzicka, USA • Book jackets •
Eberhard Hölscher: Rolf Henning, Hannover. Commercial art
Lucienne R. Alexandre: A look at Parisian show-windows
Jacques Richez: Belgian commercial art
Armin Eichholz: Photograms by Rolf Winquist
Eberhard Hölscher: A modern series of books
Ludwig Ebenhöh: K. L. M.-show-windows
Richard Roth : «Bundesgartenschau Kassel». The Federal Garden-show at Cassel.
Eberhard Hölscher: Frank L. Eidlitz. An Australian commercial artist
Ludwig Ebenhöh: Chaval. French grim humour•
«Virtuosa», a type of the type foundry D. Stempel A.-G., Frankfurt a. Main
Plagiatecke Plagiarisms
Design Archive Feature, Illustration, Members Only Content
Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
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Advertising Design, Regional Histories
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
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