Information

Content includes:
Franz H. Wills: Adolf Prazsky, Publicity Campaign of the ČSA
Franz H. Wills: E. R. Vogenauer
Urs Lang-Kurz: Lichtmontagen Photomontages with a Difference
Werner Suhr: Günther T. Schulz, Illustrations
E. Hölscher: Portugal advertises Tourist Travel
Theo Ortner: Sgraffito, Mural Graphic
Anton Sailer: Munich’s Carnival Posters 1950
Lindau Picture Sheets
E. Hölscher: BFrom the Advertisement to the Money-Box
Model and Copy
Max Körner: Kiel’s Publicity Symbol
Gerd F. G. Setzke: Bemerkungen zum Kieler Wettbewerb
Plagiat oder nicht? Eine Erwiderung
Mitteilungen de Bundes Deutscher Gebrauchsgraphiker

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Linked Information

Gebrauchsgraphik, 04, 1950
Gebrauchsgraphik, 04, 1950

 

Adolf Prazsky, Publicity Campaign of the ČSA Feature
Adolf Prazsky, Publicity Campaign of the ČSA Feature

 

Adolf Prazsky, Publicity Campaign of the ČSA Feature
Adolf Prazsky, Publicity Campaign of the ČSA Feature
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.