Information

Content includes:
Hans Kuh: Dick Elffers
Anton Sailer: Louis Robert Lippl. Angewandte Plastik Applied Plastic Art
Eberhard Hölscher: Belgian Posters
Eberhard Hölscher: Biscuit Boxes
Eberhard Hölscher: The Rising Generation asserts itself. Results of the Poster Competition in Baden
Franz Hermann Wills: Trademarks and Emblems
Eberhard Hölscher: The best Swiss Posters of 1950
G. Hensel: Helmut Lortz
Erik Stockmarr: 40 Years Andreasen & Lachmann, Copenhagen
Anton Sailer: Der Europa-Zug The Europe Train
Max Körner: Porsche • Results of a Trademark Competition
Anton Sailer: Press Advertising. The Work of Richard Blank

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Linked Information

Gebrauchsgraphik, 06, 1951
Gebrauchsgraphik, 06, 1951
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.