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Content includes:
Eberhard Hölscher: Walter Breker
Eberhard Hölscher: German exhibition in Munich 1953 for propagating tourism. Outcome of a competition for posters
Eberhard Hölscher: Laterna Graphica
Hans Kuh: J. W. Rozendaal, Holland
Anton Sailer: Prospectuses of Canadian paper-mills
Ludwig Ebenhöh: A venture of the Zurich police
Anton Sailer: Erhard Klepper
Ludwig Ebenhöh: Propaganda of a publishing house
Eberhard Hölscher: Iron and Steel
Plagiatecke Plagiarism
Neue Drucktypen der Schriftgießerei H. Berthold, Berlin
Eberhard Hölscher: The topical page

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Gebrauchsgraphik, 08, 1952
Gebrauchsgraphik, 08, 1952. Cover design by Walter Breker
More graphic design artefacts
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From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.