Gebrauchsgraphik, 09, 1936

Content includes:
E. Scaioni: The Colour Photographer
Gert Pfankuch: Advertising Photographs
Günther Schulz: the Advertisement Illustrator
Victor Kuron: The Runner of Peace
Victor Kuron, Walter Müller, Gert Pfankuch, E. Scaioni, Günther Schulz

Details

Paul Pfund
Gebrauchsgraphik
A German design magazine published from 1924 onwards, devoted to commercial art and advertising design.

Linked Information

Gebrauchsgraphik, 09, 1936. Cover design by Paul Pfund
Gebrauchsgraphik, 09, 1936. Cover design by Paul Pfund
More graphic design artefacts
More graphic design history articles
Advertising 16mm Film. The work of Günter Heil

Advertising Design, Design Archive Feature, Members Only Content

Advertising 16mm Film. The work of Günter Heil

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

Read Article
Volume launches the first major retrospective of American graphic design polymath and mid-century modernist master, Rudolph de Harak

Book Reviews & Press Releases

Volume launches the first major retrospective of American graphic design polymath and mid-century modernist master, Rudolph de Harak

In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

Read Article
The Magic and Work of Günther Glückert

Design Archive Feature, Illustration, Members Only Content

The Magic and Work of Günther Glückert

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

Read Article