Information

Content includes:
Eberhard Hölscher : Gerd Grimm
Hans Kuh: Libra Studio, den Haag
Rudolf Conrad: Festival of Britain
Eberhard Hölscher: German Association of Artists, Berlin. Results of a Poster Competition 1951
Eberhard Hölscher: Jano Seitz Industrial Design
Eberhard Hölscher: Rudolf Schucht
Max Körner: On Advertising Linoleum. A Contest for Posters, arranged by the German Linoleum-Works
Eberhard Hölscher: Eugen Sporer
An Experiment
Eberhard Hölscher: On Plagiarisms
Eberhard Hölscher: Money-Boxes

Details

Linked Information

Gebrauchsgraphik, 10, 1951
Gebrauchsgraphik, 10, 1951

 

Gebrauchsgraphik, 10, 1951 - Libra Studio, den Haag
Gebrauchsgraphik, 10, 1951 – Libra Studio, den Haag

 

Gebrauchsgraphik, 10, 1951 - Libra Studio, den Haag
Gebrauchsgraphik, 10, 1951 – Libra Studio, den Haag
More graphic design artefacts
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More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.