Content includes:
Eberhard Hölscher: Posters of the Swiss airlines «Swissair>
Eberhard Hölscher: Heinz Schwabe, Düsseldorf
Ludwig Ebenhöh: Plastic advertisements for the horticultural show in Hamburg
Carl Heussner: Felix Müller und Karl Oskar Blase, Bonn
Eberhard Hölscher: Stan Krol, London
Ludwig Ebenhöh: «Eternit> used as a building material for exhibition purposes
Eberhard Hölscher: New postal stamps
Ludwig Ebenhöh: Labels for liqueur and brandy bottles
Erwin Krubeck: «NWDR> symbols for television. Results of a competition
«Studio», eine Schriftprobe der « Lettergieterij Amsterdam »
Fritz Pauli: A popular motif for wrappings
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives
The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
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Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
Many designers played an important role in IBM's graphic identity and implementation including Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
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Design Archive Feature, Designer Profiles, Members Only Content, Movements, Regional Histories
Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
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