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Content includes:
Czechoslovakian books for children
Hans Kuh: Geschäftsbriefe – einmal anders
Business letters – with a difference
Eberhard Hölscher: Industrial advertising by Harald Gutschow, Düsseldorf
Eberhard Hölscher: New film advertising
Ludwig Ebenhöh: «Snap»— an old game in a new guise
Peter Podehl: Handwritten Europe. Travel photos by Stefan Moses, Munich
Walter Leonhard : Of the ancient art of making ginger-bread. Ginger-bread and wax-molds
Eberhard Hölscher: A new series of advertisements of the German Federal Postal Services
Glory Harris: Franklin McMahon, Chicago. Newspaper and magazine illustrations

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Gebrauchsgraphik, 12, 1957 designed by Hiroshi Ohchi
Gebrauchsgraphik, 12, 1957 designed by Hiroshi Ohchi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.