Gebrauchsgraphik, 3, 1963

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Content includes:
Remigius Netzer – Flavio Costantini • Illustrative Graphic Advertising Art
«Who wants to Join the Army? • Soldier’s Memorial Sheets from the Alsace
Lucienne R. Alexandre – Packages of the Prisunic-Stores, Paris
Claudia Persson – Catalonian and Parisian Sketches by Wilhelm Maier-Solg
Armin Eichholz – Homo ludens à la carte • New Designs for Playing Cards
Fritz Seitz – Abstract Publicity • Self-Advertisements of the «Stuttgarter Nachrichten»
Hans Kuh – Everett McNear • Graphik Painter from Chicago
Eberhard Hölscher – Theo-Günther Schiegl • A Young Graphic Artist

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Gebrauchsgraphik, 3, 1963. Cover design by Toni Blank
Gebrauchsgraphik, 3, 1963. Cover design by Toni Blank
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.

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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.