Gebrauchsgraphik, 3, 1969

Information

Content includes:
Amrin Eichholz – Jen Lenica Presents «Adam II» A Film by the Polish Artist
Eberhard Hölscher – The New Image Of «documenta» Graphic Designs by Karl Oskar Blase
Franz Hermann Willis – Jörg Hermel Paris Commercial Art
Jan Berger – A Prize-Winning Display Design by Ettore Neglia
Philipp Luidl – Picture, Letter – Letter, Picture
Remigius Netzer – Book Illustrations by Friedl Rasp
Dieter Hinrichs – On the MIRASK-Series by Dieter Hinrichs
Hans Kuh – Fashion Catalogs by R.P. Rieker
Ludwig Ebenhöh – Carneval in Cologne Results Of A Student Competition

Details

Linked Information

Gebrauchsgraphik, 3, 1969
Gebrauchsgraphik, 3, 1969

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner

 

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.

Members Content

The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.