Gebrauchsgraphik, 3, 1969

Content includes:
Amrin Eichholz – Jen Lenica Presents «Adam II» A Film by the Polish Artist
Eberhard Hölscher – The New Image Of «documenta» Graphic Designs by Karl Oskar Blase
Franz Hermann Willis – Jörg Hermel Paris Commercial Art
Jan Berger – A Prize-Winning Display Design by Ettore Neglia
Philipp Luidl – Picture, Letter – Letter, Picture
Remigius Netzer – Book Illustrations by Friedl Rasp
Dieter Hinrichs – On the MIRASK-Series by Dieter Hinrichs
Hans Kuh – Fashion Catalogs by R.P. Rieker
Ludwig Ebenhöh – Carneval in Cologne Results Of A Student Competition

Details

Gebrauchsgraphik
A German design magazine published from 1924 onwards, devoted to commercial art and advertising design.

Linked Information

Gebrauchsgraphik, 3, 1969
Gebrauchsgraphik, 3, 1969

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner

 

Gebrauchsgraphik, 3, 1969 Inner
Gebrauchsgraphik, 3, 1969 Inner
More graphic design artefacts
More graphic design history articles
Sprengel, a Comparison of Advertisements from the 1950s

Advertising Design, Design Archive Feature, Members Only Content

Sprengel, a Comparison of Advertisements from the 1950s

When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz

Read Article
A New Visual Language: From New Wave to Postmodernism in Graphic Design

Design Archive Feature, Members Only Content, Movements

A New Visual Language: From New Wave to Postmodernism in Graphic Design

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.

Read Article
Ken Briggs and his iconic designs for the National Theatre

Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Ken Briggs and his iconic designs for the National Theatre

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Read Article