Content includes:
Ingeborg Meinecke – New Methods of Pharmaceutical Advertising
Franz Hermann Wills – Austin Briggs, an American Illustrator
Erich Pfeiffer-Belli – Calendar Review
Peter Roth – Wanted: Packages of Distinction • English Bottle Make-up
Eberhard Hölscher – Crowns and Flourishes • Calligraphies by Johann Georg Schwandner
Hans Kuh – Martin Andersch • Lettering and Book Design
Alf. Kayser – Marcuse: Haute Couture of Window Decoration
Alexandre Alexandre – Lefor-Openo • Two Ladies, one Team-work
«Promotor», a type of the Lettergieterij Amsterdam
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
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Design Archive Feature, Design Education, Magazines & Publishing, Members Only Content
Across Europe, industry unions and trade journals shaped the professionalisation of graphic design between 1890 and 1930. Journals such as Typografia, Das Plakat, The Penrose Annual and Typographische Jahrbucher.
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Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
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