Gebrauchsgraphik, 7, 1963

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Content includes:
Alexandre Alexandre – «No Un», a French Gentlemen’s Fashion Magazine
Kurt Weidemann – Two House Images by Olaf Leu
Remigius Netzer – The Illustrator Juan Carlos Castagnino
Liselotte Hansmann – On Sack and Pack • Old Stamps on Swiss Sacks
Erich Pfeiffer-Belli Programs for Musica Viva
Theodor Hilten – Books of the Light Muse. Book jackets designed by Eva Kausche
Eberhard Hölscher – Games at a Sunny Beach
Hans Kuh – Well-Designed Typography • A Series of Advertisements for a Furniture Factory

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Gebrauchsgraphik, 7, 1963
Gebrauchsgraphik, 7, 1963
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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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Takenobu Igarashi was born in 1944 in Tokyo and is best known for his typographic work as both a sculptor and designer. His work in over 30 permanent museum collections and continues to inspire designers today.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.