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Content includes:
Eberhard Hölscher: The best German posters of 1956
Remigius Netzer: Martin Freyer. Novel designs for fabrics, wall-papers and works of graphic art
Walter Keim: Julius Himpel. A Bavarian illustrator
Ludwig Ebenhöh: Hubs Flöter. New photos
Franz Hermann Wills: Roland Rodegast, New York. Advertisements for the chemical Monsanto trust
Eberhard Hölscher: Hans Noeth. • Commercial art
Eberhard Hölscher: Sample sheets for toys
Carl Heussner: Austrian industrial prospectuses by Gerhard Letzbor
Eberhard Hölscher: The poster for the Kiel Festival Week 1957

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Gebrauchsgraphik, 8, 1957 cover design by Roman Cieslewicz
Gebrauchsgraphik, 8, 1957 cover design by Roman Cieslewicz
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

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Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.