Gebrauchsgraphik, 8, 1963

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Content includes:
Eberhard Hölscher – The Best German Posters of 1962/63
Lucienne R. Alexandre – Vitrines at Balenciaga’s, Paris
Herbert Lange – New Impulses in Austrian Publicity Art
Ingeborg Meinecke – The Lyrical Publicity of the Deutsche Hoffmann La Roche AG
Kurt Kranz – Music Programs
Liselotte Hansmann – A Cabinet of Religious Art – The Picture Bible of Augsburg from 1700
Hans Kuh – The «Graphik Studio Becker- von Fransecky
Sigwart Blum – Oki – a South-American Draftsman

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Gebrauchsgraphik, 8, 1963. Cover design by Peter Offenburg
Gebrauchsgraphik, 8, 1963. Cover design by Peter Offenburg
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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet. 
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.