Content includes
Eberhard Hölscher – The Best German Posters of 1963/64
Eberhard Hölscher – Bulgarian Trade-Marks • Results of a Government Initiative
J. J. de Lucio-Meyer – Guy Nicholls, London Graphic Advertising Art and Illustrations
Hans Kuh – Graphic Designs for TV • Works by Günter Griebl
Carl Heussner – De Humani Corporis Fabrica Libri • A Master-Work of Anatomy and Illustration
Theodor Hilten – George Buzias • Photographic Publicity A London Bill-Board about 1850
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Movements
A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.
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Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
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Design Archive Feature, Magazines & Publishing, Members Only Content
Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
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