Information

Content includes:
Hans Kuh – A Selection of the Best German Posters 1964/65
Jorg Lampe – Sabine Tschierschky. Illustrations and Posters
Eberhard Hölscher – Belgian Commercial Art
Eberhard Hölscher – How to Sleep Ingeniously. A Series of Chemical-Pharmaceutical Patents
J. J. de Lucio-Meyer – Main Wolff & Partners. An English Studio for Design
Ludwig Ebenhöh – The Bill-Poster

Details

Linked Information

Gebrauchsgraphik, 8, 1965. Cover design by Tomás Vellvé
Gebrauchsgraphik, 8, 1965. Cover design by Tomás Vellvé

Gebrauchsgraphik, 8, 1965. Inner pages
Gebrauchsgraphik, 8, 1965. Inner pages
Gebrauchsgraphik, 8, 1965. Inner pages
Gebrauchsgraphik, 8, 1965. Inner pages
Gebrauchsgraphik, 8, 1965. Inner pages
Gebrauchsgraphik, 8, 1965. Inner pages
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

Members Content

Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.