Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Gebrauchswerbekunst, Modern Window Display, 18 Jahrgang, No. 03, March 1942

Details

Gebrauchswerbekunst
Gebrauchswerbekunst was a German publication focused on window dressing and advertising. It was first published in the 1920s. It includes shop-window design, poster advertising, lettering, illuminated signs, and other applied commercial art forms.

Linked Information

Gebrauchswerbekunst, Modern Window Display, 18 Jahrgang, No. 03, March 1942
Gebrauchswerbekunst, Modern Window Display, 18 Jahrgang, No. 03, March 1942
More graphic design artefacts
Die Reklame, No. 19, 1. Oktoberheft/first October issue, 1929

From the graphic design archive:

Die Reklame, No. 19, 1. Oktoberheft/first October issue, 1929

  • Format: Magazine
  • Designer/s: Germroth
  • Year: 1929
View Artefact
Typographische Mitteilungen, Vol 25, No 03, March 1928

From the graphic design archive:

Typographische Mitteilungen, Vol 25, No 03, March 1928

  • Format: Magazine
  • Year: 1928
View Artefact
Gebrauchsgraphik, 05, 1940

From the graphic design archive:

Gebrauchsgraphik, 05, 1940

  • Format: Magazine
  • Designer/s: J. Heinz Böttcher
  • Year: 1940
View Artefact
Form und Technik, Vol 22, No. 02, February 1971

From the graphic design archive:

Form und Technik, Vol 22, No. 02, February 1971

  • Format: Magazine
  • Designer/s: Karl Hartmann
  • Year: 1971
View Artefact

view more of the graphic design archive

More graphic design history articles
60 Examples of Czech Typography from 1910, Typografia

Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design

60 Examples of Czech Typography from 1910, Typografia

60 examples of Czech typography from Typografia Vol. 21 (1910). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Alois Rieger, Methoděj Kaláb, Alois Chvála and many more.

Read Article
Herbert Bossin and his Typographic Compositions with Folio

Design Archive Feature, Members Only Content, Typography & Type Design

Herbert Bossin and his Typographic Compositions with Folio

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

Read Article
My Grandfather Franco Grignani, with Emiliano Grignani

Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

Read Article