
By Lucienne Roberts
‘Consider this simple conundrum: is it possible to be a bad good designer or a good bad designer for that matter? If the answer is yes then which is preferable and what does this reveal about the relationship between ethics and design practice? “Good: An Introduction to Ethics in Graphic Design” seeks to answer these questions. Graphic design is in ethical flux. “Good” comes at a time of growing disenchantment with style-led design solutions and the pursuit of self-expression alone and yet vacuous design judgements are still made without any real analysis of the criteria used. The terms good and bad are repeatedly applied without qualification whilst the relationship between personal and professional ethics is far too contentious to do any more than give cursory consideration. Despite recent manifestos and themed publications on design for good graphic designers have yet to examine what such terms really mean: in a time of relativism it has been far too divisive to do so. “Good” takes philosophy as its starting point but is not a philosophy book. It seeks to marry abstract ideas with practical application, removing some of the mystique that surrounds philosophy and highlighting its relevance for us all. Designers are people. This book seeks to engage designers in a debate about their profession and in an analysis of their value and worth. The decisions we make define us, in our ethical choices we reveal who we are.’

Design Archive Feature, Illustration, Members Only Content, Regional Histories
Illustrated tourist brochures designed by Alain Cornic. Little is known about Cornic, at least in the magazines and books I have collected, his clients included Shell, Air France and the French Tourist Office.
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A new online archive makes the complete works of the famous graphic designer accessible
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Kazumasa Nagai (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.
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