Grafische Revue, 19e and 20e Jaargang, 1934-1935

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Grafische Revue, monthly magazine for graphic companies

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Grafische Revue, 19e and 20e Jaargang, 1934-1935
Grafische Revue, 19e and 20e Jaargang, 1934-1935

 

Grafische Revue, 19e and 20e Jaargang, 1934-1935
Grafische Revue, 19e and 20e Jaargang, 1934-1935

 

Grafische Revue, 19e Jaargang, Juli 1934
Grafische Revue, 19e Jaargang, Juli 1934

 

Grafische Revue, 19e Jaargang, Augustus 1934
Grafische Revue, 19e Jaargang, Augustus 1934

 

Grafische Revue, 19e Jaargang, September 1934
Grafische Revue, 19e Jaargang, September 1934

 

Grafische Revue, 19e Jaargang, October 1934
Grafische Revue, 19e Jaargang, October 1934

 

Grafische Revue, 19e Jaargang, November 1934
Grafische Revue, 19e Jaargang, November 1934

 

Grafische Revue, 19e Jaargang, December 1934
Grafische Revue, 19e Jaargang, December 1934

 

 

Grafische Revue, 19e Jaargang, Februari 1935
Grafische Revue, 19e Jaargang, Februari 1935

 

Grafische Revue, 19e Jaargang, Maart 1935
Grafische Revue, 19e Jaargang, Maart 1935

 

Grafische Revue, 20e Jaargang, April 1935
Grafische Revue, 20e Jaargang, April 1935

 

Grafische Revue, 19e Jaargang, Mei 1935
Grafische Revue, 19e Jaargang, Mei 1935

 

Grafische Revue, 19e Jaargang, Juni 1935
Grafische Revue, 19e Jaargang, Juni 1935
Grafische Revue, monthly magazine for graphic companies
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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.