Content includes:
A trip to the times, Nakasendo, Hisakichi Yamaguchi
Design policy for the Tokyo 1964 Olympic Games Masaru Katsumi
Olivetti’s new design
New York World Expo, Japan Pavilion Yusaku Kamekura
Two printing artists: Werckmann and Feldman Brattinga
World Rookie Outlook Ⅺ / Steiner, Shimizu, Tanaka Masaru Katsumi
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Regional Histories
The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen. Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
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Corporate Identity & Branding, Design Archive Feature, Designer Profiles, Members Only Content
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
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