Graphic Design 21, 1965

Content includes:
Hiroshi Hara Rubbings of Xi’an Steilin
Eurasian Graphics Exhibition in Hawaii Kenneth Kingley Takashi Kono
Exhibition Isamu Kenmochi
Printing Design Laboratory/21 Max Huber Kindaisha Co., Ltd. Kogihan Co., Ltd.
Sunday newspaper layout Pieter Brattinga
East, West, South, North Masaru Katsumi
Print design exhibition that makes the most of paper
Shigeo Fukuda Design Exhibition “&”
Elsa Kula Works

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Tsunehisa Kimura
Tsunehisa Kimura graduated from the Osaka Municipal Institute of Arts and Crafts in 1945 and began his career designing stage sets for Toho Film and Theatre. He later worked in graphic design and advertising, joining the Nippon Design Centre in 1960. Explore related designers including Ikko Tanaka and Tadanori Yokoo. See also Japanese Modernism and 1970s graphic design history.
Graphic Design
Graphic Design was a Japanese publication which started in the late 1950s and had a run of 100 issues.

Linked Information

Graphic Design 21, 1965. Cover design by Tsunehisa Kimura
Graphic Design 21, 1965. Cover design by Tsunehisa Kimura
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
More graphic design history articles
Inspiring the students of Arts University Bournemouth

Workshops and Lectures

Inspiring the students of Arts University Bournemouth

My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Read Article
Gottschalk + Ash by Bill Bantey, 1970

Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives

Gottschalk + Ash by Bill Bantey, 1970

When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

Read Article
Photo Graphik. The Design Supplement of Der Druckspiegel 11, 1964

Design Archive Feature, Magazines & Publishing, Members Only Content

Photo Graphik. The Design Supplement of Der Druckspiegel 11, 1964

The supplement in the November issue of Der Druckspiegel from 1964 featured a ton of work designed by Peter Steiner, a graphic artist; Peter Beck, his colleague; and Rolf Herkner, a photographer. The three of them worked in collaboration to design ‘graphic-typographic-photographic experiments’.

Read Article