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Content includes:
Bunmei Kaika appearing in prints Meiji 100 / Tadashige Ono
Print Design Laboratory ㉔ Ilyu Stereo Vision / Kohei Sugiura
Recent Japanese poster / Masataka Ogawa
West German poster / Masaru Katsumi
Czech movie poster / Masayoshi Iwabuchi
Hungarian poster / Masayoshi Iwabuchi
Combination of copy and vision Newspaper advertisement excellent work collection / Hideaki Mukai
3 female designers
Harumi Matsumoto sentence: Ryuichi Yamashiro
Rosemary Tissi sentence: Masaru Katsumi
Eiko Ishioka sentence: Katsuhiro Yamaguchi
Claire Tone Design Plan / Akio Kanda
American Letterhead Design / Hiromu Hara
Winter Olympics Grenoble and Sapporo / Masaru Katsumi
3 Typographers / Hiromu Hara
Thoughts on Design ① Design as a self-expression of a corporate entity / Herbert Bayer

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Linked Information

Graphic Design 30, 1968
Graphic Design 30, 1968. Cover design by Ikko Tanaka.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.