Content includes:
IMAGE of image Kohei Sugiura
Diderot’s Illustrated Encyclopedia 18th Century Industries Depicted in Copperplate Engravings Masaru Katsumi
Expo 2 EXPO ’70 Graphic Design Takeshi Otaka Kyohei Tsuboi
Festival, Procession, Gathering Toraro Saito
Series Excellence in Editorial Design Hiroshi Kojitani
Design of business reports and corporate information Hideo Mukai
Young generation 1 Suro Habara
Pajiko led by Masaru Kimura
Takeshi Tanaka’s four-panel comic
Works of André van der Beekn
Red Hair Goods 1 Masaru Katsumi
Book review
Thoughts on Design 4
ICOGRADA
Editor-in-chief: Masaru Katsumi
Advisor: Hiroshi Hara
Editing: Atsuko Katsube, Ryoko Sasaki
Layout: Akio Kanda, Yukio Ota, Masayuki Ito
Editing Office: Graphic Design Company
Printing and binding: Toppan printing
Printing: Mitsumura Primary Color Printing Office, Tokyo Inshokan
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Advertising Design, Members Only Content
Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
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Ephemera, Design Archive Feature, Illustration, Members Only Content
100 Indian matchbox labels, c.1945–1975. Nationalist iconography, illustrated wildlife, and trade marks from small manufacturers across India
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Design Archive Feature, Corporate Identity & Branding, Members Only Content
Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
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