Graphic Design 47, 1972. Cover design by Hitoshi Ejima

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Content includes:
Edo yukata pattern / long masterpiece
Yoshio Hayakawa’s internal landscape/cylinder
Munich Reminiscences / Masaru Katsumi
Munich 1972 Olympic Design Policy / Masaru Katsumi
Thai picture book
The first step towards Asian typography / Hiroshi Hara
Young Generation ⑤ Takahisa Kamijo His Intellectual Jokes / Ikko Tanaka
East Germany poster / Masaru Katsumi
Griffs News Book Review

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 47, 1972. Cover design by Hitoshi Ejima
Graphic Design 47, 1972. Cover design by Hitoshi Ejima
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.