Content includes:
Prints by Yozo Hamaguchi
Designer’s collection Ryuichi Yamashiro
Müller Brockmann Works Collection Masaru Katsumi
Print Design Laboratory 5 / Noh Ikko Tanaka
Light and shadow of Noh Akira Maruoka
Nikon and Yusaku Kamekura Jun Hamamura
Kotobukiya’s design policy Hideo Mukai
One side of Fortune magazine design policy
Show window display / Wako and Kenji Ito Noboru Kawazoe
Book review
Portfolio World Bibliography
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Regional Histories, Studios & Collectives
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
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This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
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Advertising Design, Design Archive Feature, Members Only Content
Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
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