Kazumasa Nagai - Graphic Design - Japan

Graphic Design 81, 1981

Information

Content includes:
Japanese traditional houses by Maeda hirotoshi eyewitness of the Iranian Revolution
“Freedom 80s” Poster Exhibition for Amnesty International
global new waves in 80s
Ikeda / Shibata / Kuyper / Corey / Kao / Kikuchi / Greiman
Charles Goslin who speaks with style
three-dimensional charts
postwar history in Japanese design – commercial design in the 1950s
bulletin board
designer’s self-portrait
ode to typography
Japan Graphic Designers Association news

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 81, 1981
Graphic Design 81, 1981. Cover design by Kazumasa Nagai, 
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.

Members Content

Erik Nitsche's notable book series, the New Illustrated Library of Science and Invention comprised twelve volumes and they are a fantastic example of how to design a perfect non-fiction book!
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.