Ikko Tanaka - Japanese Graphic Designer

Graphic Design 86, 1982

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Content includes:
“WAGAMI” designed by Morishima hiroshi
how will “washi” survive
“washi” will survive this way
Special feature = Olivetti Culture
Olivetti Family
K2 Exhibition is a monument – 100 posters newly designed AIGA Political Art – Ten Years of Graphic Commentary 1970-1980 graphic design of Okamoto shigeo
disarmament posters, U.N.
Crystal Ark Project – Sapporo Science Center Umi-no-Nakamichi Beach Park signs
design documents: Tokyo-Metropolitan bus color problem
Japan Graphic Designers Association news

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 86, 1982
Graphic Design 86, 1982. Cover by Ikko Tanaka, 
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.

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1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.

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Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.