Graphik – Werbung + Formgebung, 05, 1960

Contents
Advertising Art
Initials
Building element “Light-Design”
Works by Eduard BAUDREXEL
Publicity Practice
Aluminium Rolling Mills, SINGEN GmbH.
Savings Banks cooperative publicity
Flight into the superlative
Qualitative or economic competition?
Advertising Problems
New BASF advertisements
Relations advertisements
Advertisement picture atlas
The power of folklore in publicity

Cover illustration: Photographic light-design, by GÜNTER VESTER, Essen. The mounted photograph shows in the foreground two BRAUN instruments which were the only German exhibits in a “showcase of nations” at the last triennale.

Details

Graphik – Werbung + Formgebung
Graphik – Werbung + Formgebung was a German magazine published in the 1950s and 1960s,  focused on graphic design, advertising art, typography, exhibition/display design, and applied graphics.

Linked Information

Graphik – Werbung + Formgebung, 05, 1960
Graphik – Werbung + Formgebung, 05, 1960
More graphic design artefacts
More graphic design history articles
Oskar Reiner’s, Automotive Publicity by Carl Heussner, 1962

Advertising Design, Design Archive Feature, Members Only Content

Oskar Reiner’s, Automotive Publicity by Carl Heussner, 1962

Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.

Read Article
Atelier Theo Häussler – Designing for the Pharmaceutical Industry by Carl Heussner, 1963

Advertising Design, Design Archive Feature

Atelier Theo Häussler – Designing for the Pharmaceutical Industry by Carl Heussner, 1963

Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.

Read Article
House Style – Why it important? by Alec Davis

Corporate Identity & Branding, Design Archive Feature

House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Read Article