Content includes:
Advertising Art
The Publicity Style of the Ruhr-Stickstof AG
Schwabenbräu’s Coaster Competition
Publicity Practice
Inflation of Branded Articles?
NINOFLEX, the Concrete Offer
Co-operative Advertising for Glass Receptacles
Industrial Design
A New Rosenthal Studio
The Hardware Fair in Cologne, Special Exhibition
An ESSO-Exhibition
The Responsibilities of a Public Relations Expert
Publicity: Guidance or Temptation?
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Cover-picture was taken from the publicity of the RUHR-STICKSTOFF. Design: Schunke-Fietze.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Illustration
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography. Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
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