Graphis 01-02, 1944

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Content includes:
Max Hunziker’s Zinc Hand Etching (Hans Kasser)
Purposeful Packing (Imre Reiner)
Graphic Art in the Newspaper (Edwin Arnet)
Italian Printers’ Emblems in the 15th and 16th Cent. (Dr. W.J. Meyer)
Humour in the Show-Window
Famous Artists in the Service of Advertising (Container Corporation)
A Swiss Tobacco Firm Advertises its Cigars (Hans Kasser)
Sascha Morgenthaler’s new Dolls and Model Figures (Hans Kasser)

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Graphis 01-02, 1944. Cover design by Max Hunziker
Graphis 01-02, 1944. Cover design by Max Hunziker
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.