Graphis 122, 1965

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Content includes:
Victor Vasarely, Annet sur Marne: Victor Vasarely
Content includes:
Dr. Willy Rotzler, Zürich: Citroén – An Individual Advertising Style for an Individualist’s Car
Jerome Snyder, New York: Ohrbach’s – Successful Newspaper Advertising
Manuel Gasser, Zürich: Domenico Gnoli
Ayao Yamana, Tokyo: Shiseido – A Japanese Cosmetics Company
Sigwart Blum, Olivos: Four Young South American Artists
Jules Leroy, Paris: Early Ethiopian Book and Freso Painting
Douglas Newton, New York: Masterpieces from the South Seas
Stanley Mason, Zürich: Lines of the Alphabet in the Sixteenth Century
Théo Stama, Paris: Girofla – Dolls

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Graphis 122, 1965. Cover design by Victor Vasarely.
Graphis 122, 1965. Cover design by Victor Vasarely.
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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.