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Content includes:
Dr. Willy Rotzler, Zürich: HAP Grieshaber – Woodcut Artist and Printer
Heinz Skrobucha, Recklinghausen: The World of the Icon
Yusaku Kamekura, Tokyo: Traditional Japanese Packaging
John Massey, Chicago: The Walter Paepcke Design Award Program
Jean Duvoisin, Paris: Saint Gobain 1665 – 1965
Silas H. Rhodes, New York: Campus Advertising in the USA
William B. McDonald, London: The Self-Portrait: An Experimental Art Student Project
Eugen Gomringer, Zürich: Toshihiro Katayama and his Coloured Constellations
Marvin Schwartz, New York: Modern Record Cover Designs

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Linked Information

Graphis 124, 1966. Cover design by Toshihiro Katayama.
Graphis 124, 1966. Cover design by Toshihiro Katayama.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.