Information

Content includes:
Richard Guyatt, London: The School of Graphic Design
Ken Baynes, London: Structure
Richard Guyatt, London: Communication Department
Brian Robb, London: Illustration Department
Edwin La Dell, London: Print Making Department
John Hedgecoe, London: Photography Department
Ken Baynes, London: Staff Members
Ken Baynes, London: ARK – A Magazine Designed and Edited by RCA Students
Ken Baynes, London: Lion and Unicorn Press
David Bickmore, London: Automatic Cartography
Peter Waters, London: Library Materials Conservation
Herbert Spencer, London: Readability of Print
Emil Ruder, Basel: Introduction
Armin Hofmann, Basel: The Advanced Graphic Design Course
Armin Hofmann, Basel: Design Processes
Armin Hofmann, Basel: Variations
Max Schmid, Basel: Safety Symbols, Safety Signs
Kurt Hauert, Basel: Symbol Abstraction
Wolfgang Weingart, Basel: Typographic Image
Andre Gurtler, Basel: Lettering Signs
Peter von Arx, Basel: Film and Television Graphics
Maria Vieira, Basel: Space Structuring
Franz Fedier, Basel: Sign and Colour
Johannes Burla, Basel: Three-dimensional Signs

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Linked Information

Graphis 146, 1969. Cover design by Richard Guyatt.
Graphis 146, 1969. Cover design by Richard Guyatt.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.