Information

Content includes:
Dr. Willy Rotzler, Zurich: Victor Vasarely
Jerome Snyder, New York: Robert O. Blechman
Jerome Snyder, New York: John Alcorn
Stanley Mason, Zurich: James Valkus
Dr. Erika Billeter, Zurich: Gervasio Gallardo
Stanley Mason, Zurich: How Paul Rand Presents Trade-Mark Designs to Clients
Allan Porter, Luzern: Photographis ’71. International Advertising Photography
Dr. Erika Billeter, Zurich: The Riddle of Easter Island

Details

Linked Information

Graphis 153, 1971. Cover design by Victor Vasarely.
Graphis 153, 1971. Cover design by Victor Vasarely.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

Members Content

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

Members Content

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.