André François

Graphis 216, 1981/82

Content includes:
Design and Art Direction ’81, London. The Nineteenth Exhibition of British Advertising and Editorial Art, by Edward Booth-Clibborn, London
Richard Mantel, by Gertrude Snyder, New York
James Endicott, by Steve Heller, New York
Tony Moebius: Photographic uprating of the industrial landscape, by Francois Stahly, Meudon
Grafik-Design Deutschland ’81, by Prof. Gerhard Braun, Berlin
Jerome Gould – Packaging Designer, by Jerry Steimle, Palo Alto, Ca.
Rubem Campos Grilo: A young Brazilian woodcut artist, by Ziraldo Pinto, Rio de Janeiro

Details

André François
André François was born on November 9, 1915, and attended the Académie des Beaux-Arts in 1933 and the Ecole de Cassandre in Paris in 1934-35. His work includes posters, illustrations, stage design, and sculpture. Explore related designers including Jean Colin and Raymond Savignac. See also French graphic design history and 1950s graphic design history.
Graphis
Graphis is an international magazine founded in 1944 featuring graphic design, advertising, and illustration from around the world.

Linked Information

Graphis 216, 1981/82. Cover design by André François
Graphis 216, 1981/82. Cover design by André François
More graphic design artefacts
More graphic design history articles
Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives

Bols. Advertising Matter from 1958 to 1961 by Engelmann, Mendell and Oberer

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.

Read Article
60 Examples of Czech Typography from 1909, Typografia

Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design

60 Examples of Czech Typography from 1909, Typografia

60 examples of Czech typography from Typografia Vol. 20 (1909). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Methoděj Kaláb, Otokar Císař, Karel Dyrink and many more.

Read Article
A Collection of Japanese Ephemera from the 1930s and 1940s

Design Archive Feature, Ephemera, Members Only Content, Regional Histories

A Collection of Japanese Ephemera from the 1930s and 1940s

Beyond being mere artefacts of design, these examples of Japanese Ephemera show the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

Read Article