Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Graphis 266, 1990

Information

Content includes:
Robert & Durrer, by Walter Keller
Jayme Odgers, by Stuart I. Frolick
Barrie Tucker, by Peter Ward
Joyce Tenneson, by Evelyn Roth
Mendell & Oberer, by Herbert Lechner
Rosenthal AG, by Martina Schmitz
40 Years of School of Visual Arts Posters
The H.J. Heinz Annual Report, by Rita D. Jacobs
Graphis Poster 90

Details

  • Format: Magazine
  • Year: 1990
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 266, 1990
Graphis 266, 1990
More graphic design artefacts
Museumjournaal, Serie 21 Extra Issue, 1976. Layout: Frans Evenhuis and Piet van Meiji | Cover: Swip Stolk
From the design archive:

Museumjournaal, Serie 21 Extra Issue, 1976

  • Format: Exhibition Catalogue
  • Designer/s: Layout: Frans Evenhuis and Piet van Meiji | Cover: Swip Stolk
  • Year: 1976
View Artefact
Form, Internationale Revue 4, 1958 , Cover: Le Corbusier, Inners: Müller-Blase
From the design archive:

Form, Internationale Revue 04, 1958

  • Format: Magazine
  • Designer/s: Cover: Le Corbusier, Inners: Müller-Blase
  • Year: 1958
View Artefact
Der Druckspiegel, 04, April 1961
From the design archive:

Der Druckspiegel, 04, April 1961

  • Format: Magazine
  • Year: 1961
View Artefact
Typografia, ročník 67, 08, 1967. Cover design by Vladimír Lutterer
From the design archive:

Typografia, ročník 67, 08, 1967

  • Format: Magazine
  • Designer/s: Vladimír Lutterer
  • Year: 1967
View Artefact

view more of the graphic design archive

More graphic design history articles
Harriet and Sylwia, Projekt26
  • Designer Interview

Projekt 26. An online store dedicated to vintage Polish posters

Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.
Typographical Poster for an Exhibition of Present Day Photography by Walter Dexel
  • Design Archive Feature

New Paths in Poster Work, 1931 by Jan Tschichold

In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Glorious Devon, S.P.B. Mais, Great Western Railway Company, 1934. Cover design by Edward McKnight Kauffer
  • Design Archive Feature

The E. McKnight Kauffer 1955 Exhibition at the Victoria and Albert Museum by F.H.K Henrion

A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion