Content includes:
In Memoriam E. McKnight Kauffer (Charles Rosner)
Austrian Advertising and Editorial Art (Jorg Lampe)
Villemot (Francois Stahly)
Studio Stile (Dino Villani)
Collages – and the Breakdown of Optical Unity (Herta Wescher)
Hiroshi Ohchi (Georgine Oeri)
Piero Fornasetti. Printed Plates (Raffaele Carrieri)
Sculpture of the South Seas (Herbert Tischner)
The Poet as Artist (Denys Chevalier)
From the graphic design archive:
Design Archive Feature, Design Education, Members Only Content, Movements
The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.
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Design Archive Feature, Members Only Content, Typography & Type Design
The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
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Advertising Design, Design Archive Feature, Designer Profiles, Members Only Content
Joseph Binder translated machine-age aesthetics into refined Art Deco compositions. These magazine covers have become prime examples of American commercial modernism.
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