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Content includes:
Gargantua. Lithographs by (Herta Weschler)
Punch and English Humour (Charles Rosner)
Yusaku Kamekura (Hideo Kobayashi)
Jerome Snyder (Margaret B. Parkinson)
La Rinascente (Giovanni Bordoli)
University of California (Sherman Rifkin)
Henry Rox (Paul Arthur)
Giuseppe Archimboldo (F.C. Legrand, F. Sluys)
Polish Film and Theatre Posters (Ch. Rohonyi)
Tadeusz Trepkowski (Jan Lenica)
Pierre Caille (Eike Reuter-Brocks)

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Graphis 63, 1956. Cover design by Antoni Clavé
Graphis 63, 1956. Cover design by Antoni Clavé
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.
A new online archive makes the complete works of the famous graphic designer accessible