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Graphic Design History from Design Reviewed

Graphis 74, 1957

Information

Content includes:
Bert Stern (Manuel Gasser)
Dick Elffers (Charles Rosner)
Container Corporation of America. ‘Great Ideas of Western Man’ Advertising by Inference (Georgine Oeri)
Early Days of Package Design (Alec Davis)
An Experiment in Window-Display (Charles Rosner)
The Museum of Primitive Art, New York (Robert Goldwater)
Poster Art between 1883 and 1918 (Dr. W. Rotzler)
Le Club du meilleur livre, Paris (Denys Chevalier)

Details

  • Format: Magazine
  • Designer/s: Bert Stern
  • Year: 1957
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 74, 1957. Cover design by Bert Stern.
Graphis 74, 1957. Cover design by Bert Stern.

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25th Edinburgh International Festival Programme, 1971. Design by Hans Schleger.
From the design archive:

25th Edinburgh International Festival Programme, 1971

  • Format: Programme
  • Designer/s: Hans Schleger/Zero
  • Year: 1971
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And So To Embroider Bulletin 15b, 1950s
From the design archive:

And So To Embroider Bulletin 15b, 1950s

  • Format: Bulletin
  • Designer/s: Unknown
  • Year: 1950s
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P. [Peter] Alma, Stedelijk Museum Amsterdam, 1960 designed by Willem Sandberg
From the design archive:

P. [Peter] Alma, Stedelijk Museum Amsterdam, 1960

  • Format: Exhibition Catalogue
  • Designer/s: Willem Sandberg
  • Year: 1960
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Gebrauchsgraphik, 02, 1935. Cover design by Busso Malchow
From the design archive:

Gebrauchsgraphik, 02, 1935

  • Format: Magazine
  • Designer/s: Busso Malchow
  • Year: 1935
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More graphic design history articles
Graphis 148, 1970 deisgned by Gottschalk + Ash
  • Design Archive Feature

Gottschalk + Ash by Bill Bantey, 1970

When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
Hans Adolf Albitz und Ruth Albitz-Geiß, Subway boardings (3,80 × 2,50 m).
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Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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FIP München 1966. The client supplied several motifs. The solution shown was meant to be poster-like and also resemble an old engraving. Unpublished, 1965. Karl Oskar Blase scanned from Novum Gebrauchsgraphik 08, 1982
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Karl Oskar Blase and his Stamp Designs for Deutsche Bundespost

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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Bruno Schmidt Advertisement, 1962. Designed by Günter Heil. Scanned from Gebrauchsgraphik, 5, 1965
  • Design Archive Feature, Members Only Content

Advertising 16mm Film. The work of Günter Heil

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.