Graphis 76, 1958

Information

Content includes:
Andre Francois (Claude Roy, Paris)
Art Directors Club of New York, 56th Annual Exhibition of Advertising and Editorial Art and Design (Arnold Roston, New York)
Charles Eames/Arnold Arnold. Designed for Play (Michael Haber, London, and Arnold Arnold, New York)
Eugenio Carmi (Franco Russoli, Milano)
Bill Sokol (Marc Senigo, New York)
Invitation Cards (Hans Pflug, Zurich)
Tribal Art of Middle India (V. Ellwin, Shillong, India)
Ancient Ivories from the Negev (Jean Perrot, Jerusalem)

Details

Linked Information

Graphis 76, 1958. Cover design by André François.
Graphis 76, 1958. Cover design by André François.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

Members Content

Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

Members Content

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.