Information

Content includes:
Yusaku Kamekura, Tokyo: Japanese Packs – Traditional and Modern Approaches
Saul Bass, Los Angeles: Film Titles – A New Field for the Graphic Designer
H.W. Luthin/Ch.A.Walz, Jr.: What’s New. A pharmaceutical house organ (Abbott Laboratories, North Chicago, USA)
Kurt Wirth, Bern: Switzerland: Exhibition Design as Teamwork
Francois Stahly, Paris: USIS. Exhibition Unit of the American Embassy in Paris
Richard Guyatt, London: Edward Bawden
Cyril Beaumont, London: Puppets in Advertising
Mahaut d’Orgel, Milano: Old European Dice Games
Harold Rosenberg, New York: Aaron Siskind – Photographs

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Graphis 89, 1960. Cover design by Imre Reiner.
Graphis 89, 1960. Cover design by Imre Reiner.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.