Graphis 91, 1960

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Content includes:
Manuel Gasser, Zurich: Marino Marini
Dr. Bernhard Geiser, Bern: Picasso: Colour Linocuts
Bedrich Votruba, Praha: Czechoslovak Graphic and Advertising Art
Jaroslav Bocek, Praha: Czechoslovak Puppet Films
Peter Olufsen/Poul Tibaek Kobenhavn: The Danish Agricultural Marketing Board
Gillo Dorfles, Milano: Confalonieri & Negri
Kim Taylor, Zurich: Otto Rohse
Jean Porcher, Paris: Early French Illuminated Manuscripts
Leo Lionni, New York: Of Art and art

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Graphis 91, 1960. Cover design by Marino Marini
Graphis 91, 1960. Cover design by Marino Marini
More graphic design artefacts
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From the design archive:
From the design archive:
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Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.