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First Czech publication of this translation of Apollonia’s novel La femme assise (published posthumously in 1920 in France).

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Guillaume Apollinaire: Sedící žena, 1925. Designed by Karel Teige and Otakar Mrkvicky.
Guillaume Apollinaire: Sedící žena, 1925. Designed by Karel Teige and Otakar Mrkvicky.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.