Join the Mailing List

Membership

Graphic Design History from Design Reviewed

H.N. Werkman, Stedelijk Museum, 1945

,

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Willem Sandberg
  • Year: 1945
  • Client/Publisher: Stedelijk Museum, Amsterdam

Linked Information

H.N. Werkman, Stedelijk Museum, 1945. Designed by Willem Sandberg
H.N. Werkman, Stedelijk Museum, 1945. Designed by Willem Sandberg
More graphic design artefacts
Graphis 245, 1986. Cover design by Takenobu Igarashi
From the design archive:

Graphis 245, 1986

  • Format: Magazine
  • Designer/s: Takenobu Igarashi
  • Year: 1985
View Artefact
Architectural Design, March 1962. Cover design by Theo Crosby
From the design archive:

Architectural Design, March 1962

  • Format: Magazine
  • Designer/s: Theo Crosby
  • Year: 1962
View Artefact
Drukkersweekblad en Autolijn Kerstnummer 1966, 1966. Designed by Willem Sandberg
From the design archive:

Drukkersweekblad en Autolijn Kerstnummer 1966, 1966

  • Format: Book
  • Designer/s: Willem Sandberg
  • Year: 1966
View Artefact
Piet Zwart, A Choice From His Personal Archive (2), Bubb Kuyper, 2013
From the design archive:

Piet Zwart, A Choice From His Personal Archive (2), Bubb Kuyper, 2013

  • Format: Catalogue
  • Year: 2013
View Artefact

view more of the graphic design archive

More graphic design history articles
Rudolph de Harak - Rational-Simplicity
  • Design Books

Rational Simplicity, the first major monograph of Rudolph de Harak by Richard Poulin

"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

La Biennale di Venezia XII, Festival Internazionale Di Musica Contemporanea, 1949. Designed by Max Huber
  • Design Archive Feature, Members Only Content

Max Huber. Swiss Graphic Designer | 1919 – 1992

Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography.  Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
Ghost-Signs-A-London-Story-Cover-banner-1
  • Design Books

Ghost Signs: A London Story

The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past
Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.